Gian Carlo Menotti’s The Last Savage: Opera, Science, and Relevance in Cold War American Culture
This article explores Gian Carlo Menotti’s purposeful creation of a critical flop as an ethical stance against trends in mid-century American music. Menotti enjoyed popularity until shortly before the premiere of his comedic opera The Last Savage (1963), championing an approach to music and drama ac...
Saved in:
| In: | URI:https://journals.openedition.org/transposition, |
|---|---|
| Main Author: | |
| Format: | Article ou chapitre numérique |
| Language: | Anglais |
| Published: |
Transposition
2022
|
| Subjects: | |
| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |