Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev
For a composer who has been one of the most widely performed from the twentieth century (if not the most frequently performed), Sergei Prokofiev has received patchy scholarly attention, judging from the available literature (in Russian and English). One might argue that his music is caught between...
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| Pubblicato in: | URI:https://journals.openedition.org/transposition, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Transposition
2022
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_7328 |
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openedition |
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openedition-oai:revues.org:transposition_7328 https://doi.org/10.4000/transposition.7328 urn:doi:10.4000/transposition.7328 en https://journals.openedition.org/transposition/7328 2022-06-30T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmho https://creativecommons.org/licenses/by-sa/4.0/ Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev For a composer who has been one of the most widely performed from the twentieth century (if not the most frequently performed), Sergei Prokofiev has received patchy scholarly attention, judging from the available literature (in Russian and English). One might argue that his music is caught between the webs of music academia, in that tricky terrain of overlap between the “repertory” and the “canon”: that is, with several works in heavy rotation of the “repertory” of performing ensembles and s... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Elphick, Daniel |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
For a composer who has been one of the most widely performed from the twentieth century (if not the most frequently performed), Sergei Prokofiev has received patchy scholarly attention, judging from the available literature (in Russian and English). One might argue that his music is caught between the webs of music academia, in that tricky terrain of overlap between the “repertory” and the “canon”: that is, with several works in heavy rotation of the “repertory” of performing ensembles and s... |
| author |
Elphick, Daniel |
| spellingShingle |
Elphick, Daniel Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev |
| author_facet |
Elphick, Daniel |
| author_sort |
Elphick, Daniel |
| title |
Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev |
| title_short |
Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev |
| title_full |
Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev |
| title_fullStr |
Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev |
| title_full_unstemmed |
Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev |
| title_sort |
rita mcallister, christina guillaumier (eds), rethinking prokofiev |
| publisher |
Transposition |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/transposition |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.7328 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/7328 |
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