Rita McAllister, Christina Guillaumier (eds), Rethinking Prokofiev
For a composer who has been one of the most widely performed from the twentieth century (if not the most frequently performed), Sergei Prokofiev has received patchy scholarly attention, judging from the available literature (in Russian and English). One might argue that his music is caught between...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/transposition, |
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| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Anglais |
| Julkaistu: |
Transposition
2022
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| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Yhteenveto: | For a composer who has been one of the most widely performed from the twentieth century (if not the most frequently performed), Sergei Prokofiev has received patchy scholarly attention, judging from the available literature (in Russian and English). One might argue that his music is caught between the webs of music academia, in that tricky terrain of overlap between the “repertory” and the “canon”: that is, with several works in heavy rotation of the “repertory” of performing ensembles and s... |
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