John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports
John T. Lysaker’s study of Brian Eno’s album Ambient 1: Music for Airports (1978) piqued my curiosity, first and foremost, as a serious examination of the work that coined the term “ambient music”. The introduction by Kevin C. Karnes, then editor of the Oxford Keynotes series (Kevin Bartig is the p...
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| 出版年: | URI:https://journals.openedition.org/transposition, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Transposition
2022
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_7314 |
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openedition |
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openedition-oai:revues.org:transposition_7314 https://doi.org/10.4000/transposition.7314 urn:doi:10.4000/transposition.7314 en https://journals.openedition.org/transposition/7314 2022-06-30T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmhn https://creativecommons.org/licenses/by-sa/4.0/ John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports John T. Lysaker’s study of Brian Eno’s album Ambient 1: Music for Airports (1978) piqued my curiosity, first and foremost, as a serious examination of the work that coined the term “ambient music”. The introduction by Kevin C. Karnes, then editor of the Oxford Keynotes series (Kevin Bartig is the present editor), declared that the series aimed at defining the canons of Western music also “as lists of works that comprise the bulk of what consumers listen to, purchase, and perform today”, whic... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Quiñones, Marta García |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
John T. Lysaker’s study of Brian Eno’s album Ambient 1: Music for Airports (1978) piqued my curiosity, first and foremost, as a serious examination of the work that coined the term “ambient music”. The introduction by Kevin C. Karnes, then editor of the Oxford Keynotes series (Kevin Bartig is the present editor), declared that the series aimed at defining the canons of Western music also “as lists of works that comprise the bulk of what consumers listen to, purchase, and perform today”, whic... |
| author |
Quiñones, Marta García |
| spellingShingle |
Quiñones, Marta García John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports |
| author_facet |
Quiñones, Marta García |
| author_sort |
Quiñones, Marta García |
| title |
John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports |
| title_short |
John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports |
| title_full |
John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports |
| title_fullStr |
John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports |
| title_full_unstemmed |
John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports |
| title_sort |
john t. lysaker, brian eno’s ambient 1: music for airports |
| publisher |
Transposition |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.7314 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/7314 |
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