John T. Lysaker, Brian Eno’s Ambient 1: Music for Airports
John T. Lysaker’s study of Brian Eno’s album Ambient 1: Music for Airports (1978) piqued my curiosity, first and foremost, as a serious examination of the work that coined the term “ambient music”. The introduction by Kevin C. Karnes, then editor of the Oxford Keynotes series (Kevin Bartig is the p...
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| Veröffentlicht in: | URI:https://journals.openedition.org/transposition, |
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| 1. Verfasser: | |
| Format: | Article ou chapitre numérique |
| Sprache: | Anglais |
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Transposition
2022
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Zusammenfassung: | John T. Lysaker’s study of Brian Eno’s album Ambient 1: Music for Airports (1978) piqued my curiosity, first and foremost, as a serious examination of the work that coined the term “ambient music”. The introduction by Kevin C. Karnes, then editor of the Oxford Keynotes series (Kevin Bartig is the present editor), declared that the series aimed at defining the canons of Western music also “as lists of works that comprise the bulk of what consumers listen to, purchase, and perform today”, whic... |
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