Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique
From its inception in the late nineteenth century, recorded sound and its meanings have been continuously negotiated and shaped by individuals, communities and institutions (including the first state sound archives) to serve a wide range of social and political purposes. At the same time, the adven...
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| Publicado en: | URI:https://journals.openedition.org/transposition, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
| Publicado: |
Transposition
2022
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_6734 |
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openedition |
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openedition-oai:revues.org:transposition_6734 https://doi.org/10.4000/transposition.6734 urn:doi:10.4000/transposition.6734 en https://journals.openedition.org/transposition/6734 2022-06-30T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmh6 https://creativecommons.org/licenses/by-sa/4.0/ Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique From its inception in the late nineteenth century, recorded sound and its meanings have been continuously negotiated and shaped by individuals, communities and institutions (including the first state sound archives) to serve a wide range of social and political purposes. At the same time, the advent of recording technologies has progressively contributed to dynamically define and redefine the contours of social experience, subtly anticipating novel relationships to the self, to others, and t... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Roy, Elodie A. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
From its inception in the late nineteenth century, recorded sound and its meanings have been continuously negotiated and shaped by individuals, communities and institutions (including the first state sound archives) to serve a wide range of social and political purposes. At the same time, the advent of recording technologies has progressively contributed to dynamically define and redefine the contours of social experience, subtly anticipating novel relationships to the self, to others, and t... |
| author |
Roy, Elodie A. |
| spellingShingle |
Roy, Elodie A. Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique |
| author_facet |
Roy, Elodie A. |
| author_sort |
Roy, Elodie A. |
| title |
Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique |
| title_short |
Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique |
| title_full |
Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique |
| title_fullStr |
Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique |
| title_full_unstemmed |
Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique |
| title_sort |
jonathan thomas, la propagande par le disque: jean-marie le pen, éditeur phonographique |
| publisher |
Transposition |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.6734 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/6734 |
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