Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique
From its inception in the late nineteenth century, recorded sound and its meanings have been continuously negotiated and shaped by individuals, communities and institutions (including the first state sound archives) to serve a wide range of social and political purposes. At the same time, the adven...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/transposition, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Transposition
2022
|
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |