“The Orchestra, in its Sounds, Defies Virtue…”: The Role of the Erotic in the Works of Massenet.
Massenet’s opera Esclarmonde, premiered in Paris during the 1889 Exposition Universelle, offers a particularly powerful case study for the ways in which a libretto articulating socially conservative structures meshes with, and enables, musically progressive expressivity. This essay analyses the oper...
Zapisane w:
| Wydane w: | URI:https://journals.openedition.org/transposition, |
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| 1. autor: | |
| Format: | Article ou chapitre numérique |
| Język: | Anglais |
| Wydane: |
Transposition
2021
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| Hasła przedmiotowe: | |
| Dostęp online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |