Retrospective Reflections
It is a historiographical commonplace to say that, in Western music, the “pleasure of the ear” as mentioned in this text’s epigraph might be a challenge. From the monk John of Salisbury, who opined in the twelfth century that the new polyphonic music at Notre Dame aroused “titillation between the l...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/transposition, |
|---|---|
| Prif Awdur: | |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Anglais |
| Cyhoeddwyd: |
Transposition
2021
|
| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:transposition_6417 |
|---|---|
| record_format |
openedition |
| spelling |
openedition-oai:revues.org:transposition_6417 https://doi.org/10.4000/transposition.6417 urn:doi:10.4000/transposition.6417 en https://journals.openedition.org/transposition/6417 2021-04-20T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/lmde https://creativecommons.org/licenses/by-sa/4.0/ Retrospective Reflections It is a historiographical commonplace to say that, in Western music, the “pleasure of the ear” as mentioned in this text’s epigraph might be a challenge. From the monk John of Salisbury, who opined in the twelfth century that the new polyphonic music at Notre Dame aroused “titillation between the legs more readily than a sense of devotion in the brain”, to the American politician James P. Bradley who, in August 2020, was scandalised by the overt sexuality in “WAP”, a hip-hop video by Cardi B... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Fauser, Annegret |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
It is a historiographical commonplace to say that, in Western music, the “pleasure of the ear” as mentioned in this text’s epigraph might be a challenge. From the monk John of Salisbury, who opined in the twelfth century that the new polyphonic music at Notre Dame aroused “titillation between the legs more readily than a sense of devotion in the brain”, to the American politician James P. Bradley who, in August 2020, was scandalised by the overt sexuality in “WAP”, a hip-hop video by Cardi B... |
| author |
Fauser, Annegret |
| spellingShingle |
Fauser, Annegret Retrospective Reflections |
| author_facet |
Fauser, Annegret |
| author_sort |
Fauser, Annegret |
| title |
Retrospective Reflections |
| title_short |
Retrospective Reflections |
| title_full |
Retrospective Reflections |
| title_fullStr |
Retrospective Reflections |
| title_full_unstemmed |
Retrospective Reflections |
| title_sort |
retrospective reflections |
| publisher |
Transposition |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.6417 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/6417 |
| _version_ |
1877293642890084352 |