Music and Sexuality
In August 2020, between two waves in the COVID-19 pandemic, soprano Chloé Briot denounced in La lettre du musicien that she had been the victim of sexual assault by a male singer, her partner in Francesco Filidei’s opera L’Inondation (The Flood) staged by Joël Pommerat. In the days that followed, t...
Guardado en:
| Publicado en: | URI:https://journals.openedition.org/transposition, |
|---|---|
| Autores principales: | , |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
| Publicado: |
Transposition
2021
|
| Materias: | |
| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumario: | In August 2020, between two waves in the COVID-19 pandemic, soprano Chloé Briot denounced in La lettre du musicien that she had been the victim of sexual assault by a male singer, her partner in Francesco Filidei’s opera L’Inondation (The Flood) staged by Joël Pommerat. In the days that followed, this affair garnered significant media attention, particularly when, after it was announced that Chloé Briot had filed a complaint (which had in fact occurred five months earlier), the opera houses ... |
|---|