Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta
In the 2000s, electroacoustic music created something new in Buenos Aires. Composers recognized in the tradition, at the time centered around the concerts of the Laboratorio de Investigación y Producción Musical (LIPM), were interested in including sounds and spaces as materials and scenarios in th...
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| Pubblicato in: | URI:https://journals.openedition.org/transposition, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Transposition
2021
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_5887 |
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openedition |
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openedition-oai:revues.org:transposition_5887 https://doi.org/10.4000/transposition.5887 urn:doi:10.4000/transposition.5887 en https://journals.openedition.org/transposition/5887 2021-04-20T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmh4 https://creativecommons.org/licenses/by-sa/4.0/ Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta In the 2000s, electroacoustic music created something new in Buenos Aires. Composers recognized in the tradition, at the time centered around the concerts of the Laboratorio de Investigación y Producción Musical (LIPM), were interested in including sounds and spaces as materials and scenarios in their works. Collaborating with artists from other disciplines, they took the speakers out of the concert hall. Works such as Intervención Pública #1 (2002) and Tertulia (2005) by Nicolás Varchausky ... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Garutti, Miguel |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In the 2000s, electroacoustic music created something new in Buenos Aires. Composers recognized in the tradition, at the time centered around the concerts of the Laboratorio de Investigación y Producción Musical (LIPM), were interested in including sounds and spaces as materials and scenarios in their works. Collaborating with artists from other disciplines, they took the speakers out of the concert hall. Works such as Intervención Pública #1 (2002) and Tertulia (2005) by Nicolás Varchausky ... |
| author |
Garutti, Miguel |
| spellingShingle |
Garutti, Miguel Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta |
| author_facet |
Garutti, Miguel |
| author_sort |
Garutti, Miguel |
| title |
Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta |
| title_short |
Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta |
| title_full |
Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta |
| title_fullStr |
Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta |
| title_full_unstemmed |
Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta |
| title_sort |
nicolás varchausky, eduardo molinari (eds.), tertulia. intervención en el cementerio de la recoleta |
| publisher |
Transposition |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.5887 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/5887 |
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1877293642876452864 |