Nicolás Varchausky, Eduardo Molinari (eds.), Tertulia. Intervención en el Cementerio de la Recoleta
In the 2000s, electroacoustic music created something new in Buenos Aires. Composers recognized in the tradition, at the time centered around the concerts of the Laboratorio de Investigación y Producción Musical (LIPM), were interested in including sounds and spaces as materials and scenarios in th...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/transposition, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Transposition
2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |