Robert Fink, Melinda Latour, Zachary Wallmark (eds.), The Relentless Pursuit of Tone. Timbre in Popular Music
Many myths, ideologies and aspirations go along with the concept of ‘tone’– or ‘sound’ as favored outside the Anglophonic world. Time and again, the ‘tone’ of a certain genre of popular music, a certain musician or a specific instrument is claimed to be the key for a deep experience and understandi...
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| 發表在: | URI:https://journals.openedition.org/transposition, |
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| 主要作者: | |
| 格式: | Article ou chapitre numérique |
| 語言: | Anglais |
| 出版: |
Transposition
2021
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| 在線閱讀: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 總結: | Many myths, ideologies and aspirations go along with the concept of ‘tone’– or ‘sound’ as favored outside the Anglophonic world. Time and again, the ‘tone’ of a certain genre of popular music, a certain musician or a specific instrument is claimed to be the key for a deep experience and understanding of the music. Moreover, ‘tone’, ‘sound’ or ‘timbre’ are labels for a special quality that is the alleged essence of the music – and which could be achieved by buying certain musical instruments ... |
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