Hilde Roos, The La Traviata Affair: Opera in the Age of Apartheid
Musical performance can rarely be divorced from the political situation or cultural context in which it finds itself. There are, of course, countless occasions where musical performance has been wielded as if a political tool; a vehicle intended to help establish group identities and carry messages...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/transposition, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Transposition
2021
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |