Hilde Roos, The La Traviata Affair: Opera in the Age of Apartheid
Musical performance can rarely be divorced from the political situation or cultural context in which it finds itself. There are, of course, countless occasions where musical performance has been wielded as if a political tool; a vehicle intended to help establish group identities and carry messages...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/transposition, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Transposition
2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |