Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity
In writing this book, Jeremy Coleman joins a conversation about a French Wagner that has illustrious precursors: above all, Friedrich Nietzsche, for whom — as Coleman notes in the first line of his Introduction — “Wagner’s only true home was in Paris” (p. 1). Coleman takes this Nietzschean aphorism...
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| הוצא לאור ב: | URI:https://journals.openedition.org/transposition, |
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| מחבר ראשי: | |
| פורמט: | Article ou chapitre numérique |
| שפה: | Anglais |
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Transposition
2021
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| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_5503 |
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openedition |
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openedition-oai:revues.org:transposition_5503 https://doi.org/10.4000/transposition.5503 urn:doi:10.4000/transposition.5503 en https://journals.openedition.org/transposition/5503 2021-04-20T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmgj https://creativecommons.org/licenses/by-sa/4.0/ Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity In writing this book, Jeremy Coleman joins a conversation about a French Wagner that has illustrious precursors: above all, Friedrich Nietzsche, for whom — as Coleman notes in the first line of his Introduction — “Wagner’s only true home was in Paris” (p. 1). Coleman takes this Nietzschean aphorism as his starting point for an exploration of Richard Wagner in Paris, culminating in a consideration of the Paris Tannhäuser debacle of 1861. From a structural and a chronological point of view, th... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Rushworth, Jennifer |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In writing this book, Jeremy Coleman joins a conversation about a French Wagner that has illustrious precursors: above all, Friedrich Nietzsche, for whom — as Coleman notes in the first line of his Introduction — “Wagner’s only true home was in Paris” (p. 1). Coleman takes this Nietzschean aphorism as his starting point for an exploration of Richard Wagner in Paris, culminating in a consideration of the Paris Tannhäuser debacle of 1861. From a structural and a chronological point of view, th... |
| author |
Rushworth, Jennifer |
| spellingShingle |
Rushworth, Jennifer Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity |
| author_facet |
Rushworth, Jennifer |
| author_sort |
Rushworth, Jennifer |
| title |
Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity |
| title_short |
Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity |
| title_full |
Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity |
| title_fullStr |
Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity |
| title_full_unstemmed |
Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity |
| title_sort |
jeremy coleman, richard wagner in paris: translation, identity, modernity |
| publisher |
Transposition |
| publishDate |
2021 |
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URI:https://journals.openedition.org/transposition |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.5503 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/5503 |
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