Jeremy Coleman, Richard Wagner in Paris: Translation, Identity, Modernity
In writing this book, Jeremy Coleman joins a conversation about a French Wagner that has illustrious precursors: above all, Friedrich Nietzsche, for whom — as Coleman notes in the first line of his Introduction — “Wagner’s only true home was in Paris” (p. 1). Coleman takes this Nietzschean aphorism...
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| Vydáno v: | URI:https://journals.openedition.org/transposition, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Transposition
2021
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | In writing this book, Jeremy Coleman joins a conversation about a French Wagner that has illustrious precursors: above all, Friedrich Nietzsche, for whom — as Coleman notes in the first line of his Introduction — “Wagner’s only true home was in Paris” (p. 1). Coleman takes this Nietzschean aphorism as his starting point for an exploration of Richard Wagner in Paris, culminating in a consideration of the Paris Tannhäuser debacle of 1861. From a structural and a chronological point of view, th... |
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