Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies
In a 2015 colloquy published by the Journal of the American Musicological Society, Martha Feldman, Emily Wilbourne, Steven Rings, Brian Kane and James Q. Davies asked, “Why voice now?”. Though not offering a conclusive answer to this provocation, their responses variously pointed at voice’s ability...
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| 發表在: | URI:https://journals.openedition.org/transposition, |
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| 主要作者: | |
| 格式: | Article ou chapitre numérique |
| 語言: | Anglais |
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Transposition
2021
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| 在線閱讀: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_5487 |
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openedition-oai:revues.org:transposition_5487 https://doi.org/10.4000/transposition.5487 urn:doi:10.4000/transposition.5487 en https://journals.openedition.org/transposition/5487 2021-04-20T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmgi https://creativecommons.org/licenses/by-sa/4.0/ Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies In a 2015 colloquy published by the Journal of the American Musicological Society, Martha Feldman, Emily Wilbourne, Steven Rings, Brian Kane and James Q. Davies asked, “Why voice now?”. Though not offering a conclusive answer to this provocation, their responses variously pointed at voice’s ability to mediate, to multiply, to configure the social, and to trace the borders of the human, as explanations for the timeliness of musicology’s “vocal turn”. In the years since, voice studies has kept... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Pistorius, Juliana M. |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In a 2015 colloquy published by the Journal of the American Musicological Society, Martha Feldman, Emily Wilbourne, Steven Rings, Brian Kane and James Q. Davies asked, “Why voice now?”. Though not offering a conclusive answer to this provocation, their responses variously pointed at voice’s ability to mediate, to multiply, to configure the social, and to trace the borders of the human, as explanations for the timeliness of musicology’s “vocal turn”. In the years since, voice studies has kept... |
| author |
Pistorius, Juliana M. |
| spellingShingle |
Pistorius, Juliana M. Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies |
| author_facet |
Pistorius, Juliana M. |
| author_sort |
Pistorius, Juliana M. |
| title |
Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies |
| title_short |
Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies |
| title_full |
Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies |
| title_fullStr |
Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies |
| title_full_unstemmed |
Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies |
| title_sort |
nina sun eidsheim, katherine meizel (eds.), the oxford handbook of voice studies |
| publisher |
Transposition |
| publishDate |
2021 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.5487 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/5487 |
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