Nina Sun Eidsheim, Katherine Meizel (eds.), The Oxford Handbook of Voice Studies
In a 2015 colloquy published by the Journal of the American Musicological Society, Martha Feldman, Emily Wilbourne, Steven Rings, Brian Kane and James Q. Davies asked, “Why voice now?”. Though not offering a conclusive answer to this provocation, their responses variously pointed at voice’s ability...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/transposition, |
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| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Anglais |
| Julkaistu: |
Transposition
2021
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| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Yhteenveto: | In a 2015 colloquy published by the Journal of the American Musicological Society, Martha Feldman, Emily Wilbourne, Steven Rings, Brian Kane and James Q. Davies asked, “Why voice now?”. Though not offering a conclusive answer to this provocation, their responses variously pointed at voice’s ability to mediate, to multiply, to configure the social, and to trace the borders of the human, as explanations for the timeliness of musicology’s “vocal turn”. In the years since, voice studies has kept... |
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