Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez
In the best sociological tradition, Martin Iddon uses his limpid prose to show us that things are not what they seem: the serialists were never fully serial, and there is a cavern of critique, interpretation, and analysis separating discourse and practice. The thrust of this richly documented volum...
محفوظ في:
| الحاوية / القاعدة: | URI:https://journals.openedition.org/transposition, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
Transposition
2014
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |