Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez
In the best sociological tradition, Martin Iddon uses his limpid prose to show us that things are not what they seem: the serialists were never fully serial, and there is a cavern of critique, interpretation, and analysis separating discourse and practice. The thrust of this richly documented volum...
Enregistré dans:
| Udgivet i: | URI:https://journals.openedition.org/transposition, |
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| Hovedforfatter: | |
| Format: | Article ou chapitre numérique |
| Sprog: | Français |
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Transposition
2014
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | In the best sociological tradition, Martin Iddon uses his limpid prose to show us that things are not what they seem: the serialists were never fully serial, and there is a cavern of critique, interpretation, and analysis separating discourse and practice. The thrust of this richly documented volume is an analysis of the controversy regarding the legacy of Webern within the context of the early years, under Wolfgang Steinecke’s direction (1949-1961), of what would become the Internationale F... |
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