Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez
In the best sociological tradition, Martin Iddon uses his limpid prose to show us that things are not what they seem: the serialists were never fully serial, and there is a cavern of critique, interpretation, and analysis separating discourse and practice. The thrust of this richly documented volum...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/transposition, |
|---|---|
| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Français |
| প্রকাশিত: |
Transposition
2014
|
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_504 |
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openedition |
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openedition-oai:revues.org:transposition_504 https://doi.org/10.4000/transposition.504 urn:doi:10.4000/transposition.504 fr https://journals.openedition.org/transposition/504 2014-06-25T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmez https://creativecommons.org/licenses/by-sa/4.0/ Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez In the best sociological tradition, Martin Iddon uses his limpid prose to show us that things are not what they seem: the serialists were never fully serial, and there is a cavern of critique, interpretation, and analysis separating discourse and practice. The thrust of this richly documented volume is an analysis of the controversy regarding the legacy of Webern within the context of the early years, under Wolfgang Steinecke’s direction (1949-1961), of what would become the Internationale F... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Fryberger, Annelies |
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OpenEdition Journal |
| language |
Français |
| format |
Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
In the best sociological tradition, Martin Iddon uses his limpid prose to show us that things are not what they seem: the serialists were never fully serial, and there is a cavern of critique, interpretation, and analysis separating discourse and practice. The thrust of this richly documented volume is an analysis of the controversy regarding the legacy of Webern within the context of the early years, under Wolfgang Steinecke’s direction (1949-1961), of what would become the Internationale F... |
| author |
Fryberger, Annelies |
| spellingShingle |
Fryberger, Annelies Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez |
| author_facet |
Fryberger, Annelies |
| author_sort |
Fryberger, Annelies |
| title |
Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez |
| title_short |
Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez |
| title_full |
Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez |
| title_fullStr |
Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez |
| title_full_unstemmed |
Martin Iddon, Music at Darmstadt. Nono, Stockhausen, Cage, and Boulez |
| title_sort |
martin iddon, music at darmstadt. nono, stockhausen, cage, and boulez |
| publisher |
Transposition |
| publishDate |
2014 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.504 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/504 |
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