Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror”
The six years since this article was first published have seen a slow increase in public knowledge of the United States' acoustical practices during the so-called “war on terror.” My own research expanded to include the first-person accounts of several more released detainees, whose imprisonme...
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| In: | URI:https://journals.openedition.org/transposition, |
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| Main Author: | |
| Format: | Article ou chapitre numérique |
| Language: | Anglais |
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Transposition
2014
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_493 |
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openedition |
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openedition-oai:revues.org:transposition_493 https://doi.org/10.4000/transposition.493 urn:doi:10.4000/transposition.493 en https://journals.openedition.org/transposition/493 2014-06-25T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/lmac https://creativecommons.org/licenses/by-sa/4.0/ Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror” The six years since this article was first published have seen a slow increase in public knowledge of the United States' acoustical practices during the so-called “war on terror.” My own research expanded to include the first-person accounts of several more released detainees, whose imprisonment in the CIA's “dark prison,” in Kandahar and Guantànamo included both “interrogational” and “terroristic” torture. In addition, two important academic initiatives have helped to contextualize acoustic... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Cusick, Suzanne G. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The six years since this article was first published have seen a slow increase in public knowledge of the United States' acoustical practices during the so-called “war on terror.” My own research expanded to include the first-person accounts of several more released detainees, whose imprisonment in the CIA's “dark prison,” in Kandahar and Guantànamo included both “interrogational” and “terroristic” torture. In addition, two important academic initiatives have helped to contextualize acoustic... |
| author |
Cusick, Suzanne G. |
| spellingShingle |
Cusick, Suzanne G. Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror” |
| author_facet |
Cusick, Suzanne G. |
| author_sort |
Cusick, Suzanne G. |
| title |
Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror” |
| title_short |
Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror” |
| title_full |
Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror” |
| title_fullStr |
Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror” |
| title_full_unstemmed |
Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror” |
| title_sort |
afterword to “you are in a place that is out of the world…”: music in the detention camps of the “global war on terror” |
| publisher |
Transposition |
| publishDate |
2014 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.493 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/493 |
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