Afterword to “You are in a place that is out of the world…”: Music in the Detention Camps of the “Global War on Terror”
The six years since this article was first published have seen a slow increase in public knowledge of the United States' acoustical practices during the so-called “war on terror.” My own research expanded to include the first-person accounts of several more released detainees, whose imprisonme...
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| Xuất bản năm: | URI:https://journals.openedition.org/transposition, |
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| Tác giả chính: | |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Anglais |
| Được phát hành: |
Transposition
2014
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| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Tóm tắt: | The six years since this article was first published have seen a slow increase in public knowledge of the United States' acoustical practices during the so-called “war on terror.” My own research expanded to include the first-person accounts of several more released detainees, whose imprisonment in the CIA's “dark prison,” in Kandahar and Guantànamo included both “interrogational” and “terroristic” torture. In addition, two important academic initiatives have helped to contextualize acoustic... |
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