Daniel K. L. Chua, Beethoven & Freedom
The association of Beethoven’s music and persona with freedom emerged in his reception in the first half of the nineteenth century, and eventually became a topos that, thanks to the composer’s alleged sympathies and/or affinities with the French revolution, gave the concept a distinctive political...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/transposition, |
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| Prif Awdur: | |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Anglais |
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Transposition
2019
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_2865 |
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openedition |
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openedition-oai:revues.org:transposition_2865 https://doi.org/10.4000/transposition.2865 urn:doi:10.4000/transposition.2865 en https://journals.openedition.org/transposition/2865 2019-11-04T01:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmfz https://creativecommons.org/licenses/by-sa/4.0/ Daniel K. L. Chua, Beethoven & Freedom The association of Beethoven’s music and persona with freedom emerged in his reception in the first half of the nineteenth century, and eventually became a topos that, thanks to the composer’s alleged sympathies and/or affinities with the French revolution, gave the concept a distinctive political meaning. At first sight, Daniel K. L. Chua’s 2017 book Beethoven & Freedom is part of this hermeneutical tradition, which includes music criticism and scholarship. Chua repeatedly invokes contexts ... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Buch, Esteban |
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OpenEdition Journal |
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Anglais |
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Article ou chapitre numérique |
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0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The association of Beethoven’s music and persona with freedom emerged in his reception in the first half of the nineteenth century, and eventually became a topos that, thanks to the composer’s alleged sympathies and/or affinities with the French revolution, gave the concept a distinctive political meaning. At first sight, Daniel K. L. Chua’s 2017 book Beethoven & Freedom is part of this hermeneutical tradition, which includes music criticism and scholarship. Chua repeatedly invokes contexts ... |
| author |
Buch, Esteban |
| spellingShingle |
Buch, Esteban Daniel K. L. Chua, Beethoven & Freedom |
| author_facet |
Buch, Esteban |
| author_sort |
Buch, Esteban |
| title |
Daniel K. L. Chua, Beethoven & Freedom |
| title_short |
Daniel K. L. Chua, Beethoven & Freedom |
| title_full |
Daniel K. L. Chua, Beethoven & Freedom |
| title_fullStr |
Daniel K. L. Chua, Beethoven & Freedom |
| title_full_unstemmed |
Daniel K. L. Chua, Beethoven & Freedom |
| title_sort |
daniel k. l. chua, beethoven & freedom |
| publisher |
Transposition |
| publishDate |
2019 |
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URI:https://journals.openedition.org/transposition |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.2865 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/2865 |
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