Daniel K. L. Chua, Beethoven & Freedom
The association of Beethoven’s music and persona with freedom emerged in his reception in the first half of the nineteenth century, and eventually became a topos that, thanks to the composer’s alleged sympathies and/or affinities with the French revolution, gave the concept a distinctive political...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/transposition, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Transposition
2019
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |