Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships

Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships

Musical works written for dictatorial regimes bring complex ethical considerations for musicologists, performers, and listeners alike. Secondary literature about music in the Soviet Union and the Third Reich, in particular, has long since grappled with questions of how we should approach such works...

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الحاوية / القاعدة:URI:https://journals.openedition.org/transposition,
المؤلف الرئيسي: Carter, Lindsay
التنسيق: Article ou chapitre numérique
اللغة:Anglais
منشور في: Transposition 2018
الوصول للمادة أونلاين:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:transposition_2629 https://doi.org/10.4000/transposition.2629 urn:doi:10.4000/transposition.2629 en https://journals.openedition.org/transposition/2629 2018-10-15T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmin https://creativecommons.org/licenses/by-sa/4.0/ Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships Musical works written for dictatorial regimes bring complex ethical considerations for musicologists, performers, and listeners alike. Secondary literature about music in the Soviet Union and the Third Reich, in particular, has long since grappled with questions of how we should approach such works – whether this music should be performed, problems surrounding the intelligibility of politics in music, etc. – whilst primary sources reveal complex practices of self-fashioning that muddy any cl... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Carter, Lindsay
collection OpenEdition Journal
language Anglais
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description Musical works written for dictatorial regimes bring complex ethical considerations for musicologists, performers, and listeners alike. Secondary literature about music in the Soviet Union and the Third Reich, in particular, has long since grappled with questions of how we should approach such works – whether this music should be performed, problems surrounding the intelligibility of politics in music, etc. – whilst primary sources reveal complex practices of self-fashioning that muddy any cl...
author Carter, Lindsay
spellingShingle Carter, Lindsay
Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships
author_facet Carter, Lindsay
author_sort Carter, Lindsay
title Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships
title_short Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships
title_full Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships
title_fullStr Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships
title_full_unstemmed Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships
title_sort esteban buch, igor contreras zubillaga & manuel deniz silva (eds), composing for the state: music in twentieth-century dictatorships
publisher Transposition
publishDate 2018
container_title URI:https://journals.openedition.org/transposition
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.2629
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/2629
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