Esteban Buch, Igor Contreras Zubillaga & Manuel Deniz Silva (eds), Composing for the State: Music in Twentieth-Century Dictatorships
Musical works written for dictatorial regimes bring complex ethical considerations for musicologists, performers, and listeners alike. Secondary literature about music in the Soviet Union and the Third Reich, in particular, has long since grappled with questions of how we should approach such works...
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| Vydáno v: | URI:https://journals.openedition.org/transposition, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
| Vydáno: |
Transposition
2018
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | Musical works written for dictatorial regimes bring complex ethical considerations for musicologists, performers, and listeners alike. Secondary literature about music in the Soviet Union and the Third Reich, in particular, has long since grappled with questions of how we should approach such works – whether this music should be performed, problems surrounding the intelligibility of politics in music, etc. – whilst primary sources reveal complex practices of self-fashioning that muddy any cl... |
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