Pamela M. Potter, Art of Suppression: Confronting the Nazi Past in Histories of the Visual and Performing Arts
Few scholars seem better equipped to tackle the thorny issues that surround our perceptions of cultural activity during the Third Reich than Pamela M. Potter. Her 1998 book, Most German of the Arts, was a hugely significant publication highlighting the lengths to which musicologists living and work...
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| Publicado no: | URI:https://journals.openedition.org/transposition, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Transposition
2018
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | Few scholars seem better equipped to tackle the thorny issues that surround our perceptions of cultural activity during the Third Reich than Pamela M. Potter. Her 1998 book, Most German of the Arts, was a hugely significant publication highlighting the lengths to which musicologists living and working through the Nazi era sought to harness convoluted intellectual arguments in order to gain the favour and patronage of their political masters. No less problematic was the realisation that many ... |
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