Kevin Bartig, Composing for the Red Screen: Prokofiev and Soviet Film
As the first full-length study of Sergey Prokofiev’s film scores, Kevin Bartig’s Composing for the Red Screen fills a critical gap in the literature on this Soviet composer. Indeed, the book ranks – along with Simon Morrison’s recent chronicle of Prokofiev’s Soviet years – as one of the major contr...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/transposition, |
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| Prif Awdur: | |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Anglais |
| Cyhoeddwyd: |
Transposition
2017
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Crynodeb: | As the first full-length study of Sergey Prokofiev’s film scores, Kevin Bartig’s Composing for the Red Screen fills a critical gap in the literature on this Soviet composer. Indeed, the book ranks – along with Simon Morrison’s recent chronicle of Prokofiev’s Soviet years – as one of the major contributions to our understanding of Prokofiev’s circumstances and style from the late 1920s onward. This is largely because the cinema presented Prokofiev with a timely opportunity to apply his so-cal... |
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