Ropajes de la pasión. En torno al cine de Valeria Sarmiento
In this paper I carry out a comparative analysis of three movies directed by Chilean filmmaker Valeria Sarmiento: Notre mariage (1984), Amelia Lopes O’Neill (1991) and Rosa la china (2003). All of them can be considered as melodramas, because they place passional love, confronted with one or several...
Gorde:
| Argitaratua izan da: | URI:https://journals.openedition.org/trans, |
|---|---|
| Egile nagusia: | |
| Formatua: | Article ou chapitre numérique |
| Argitaratua: |
TRANS-
2015
|
| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |