L’exil, la quête et le refugié
In this article we will underline how the inactual work of Pier Paolo Pasolini and his thoughts on the European conscious from the ’50 to the ’70 can be use as a tool for a better understanding of the Refugees Crisis. In order to do so, we will return to the script of Porno-Teo-Kolossal as well as t...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/theoremes, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
| Pubblicazione: |
ThéoRèmes
2017
|
| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | In this article we will underline how the inactual work of Pier Paolo Pasolini and his thoughts on the European conscious from the ’50 to the ’70 can be use as a tool for a better understanding of the Refugees Crisis. In order to do so, we will return to the script of Porno-Teo-Kolossal as well as to the poem Ali dagli occhi azzurri. Within this voyage, we will underline the importance of a radical hospitality – with the work of René Schérer on Teorema, as well as the necessity to say no. Finally, we will point out how the refugee can be hear as the one who is revealing the paradox of our epoch (Wendy Brown) and how this situation is asking for the construction of an updated’ solidarity of the oppressed (Walter Benjamin). |
|---|