Preference for censorship
Post-Yugoslav artists relatively often claim that the major international successes of Yugoslav films were the result of novel artistic approaches developed to circumscribe state censorship. Some filmmakers say that socialist censorship was better than being ignored, like they feel today. This artic...
保存先:
| 出版年: | URI:https://journals.openedition.org/terrain, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Terrain
2019
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |