Music in Concentration Camps 1933–1945
It would be wrong to reduce the “Music of the Shoah” (Holocaust/churbn) to the Yiddish songs from the ghetto camps of Eastern Europe or to the multiple activities in the realm of classical or Jewish music found in the ghetto camp at Theresienstadt, which of course enjoyed a special status as a mode...
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| Опубликовано в: : | URI:https://journals.openedition.org/temoigner, |
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| Главный автор: | |
| Формат: | Article ou chapitre numérique |
| Язык: | Anglais |
| Опубликовано: |
Témoigner. Entre histoire et mémoire
2021
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| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Итог: | It would be wrong to reduce the “Music of the Shoah” (Holocaust/churbn) to the Yiddish songs from the ghetto camps of Eastern Europe or to the multiple activities in the realm of classical or Jewish music found in the ghetto camp at Theresienstadt, which of course enjoyed a special status as a model camp. It would be equally wrong to restrict our view of music in concentration camps to the Moorsoldatenlied [The Peat Bog Soldiers], the Buchenwald Song, the Dachau Song, or the so-called “Girls... |
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