Studying Rembrandt’s Techniques at the National Gallery, London
Technical study of the National Gallery’s important collection of paintings by Rembrandt goes back to the 1940s when serious conservation work began, aided by scientific investigation of the pictures. This article covers some of the history of technical examination of Rembrandt’s paintings in London...
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| الحاوية / القاعدة: | URI:https://journals.openedition.org/techne, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Technè
2024
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:techne_18992 |
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openedition |
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openedition-oai:revues.org:techne_18992 https://doi.org/10.4000/127ma urn:doi:10.4000/127ma en https://journals.openedition.org/techne/18992 2024-08-30T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/127ma https://creativecommons.org/licenses/by-nc-nd/4.0/ Studying Rembrandt’s Techniques at the National Gallery, London Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Roy, Ashok Rembrandt National Gallery recherches techniques sur la peinture « Art in the Making » Rembrandt National Gallery technical research on paintings ‘Art in the Making’ Technical study of the National Gallery’s important collection of paintings by Rembrandt goes back to the 1940s when serious conservation work began, aided by scientific investigation of the pictures. This article covers some of the history of technical examination of Rembrandt’s paintings in London and the origins of a wide-ranging material survey of the collection in the late 1980s that resulted in the first of the Gallery’s ‘Art in the Making’ exhibitions. Subsequent studies to extend this work are also described. The article looks forward to the future of Rembrandt technical research, its dynamic nature in the 21st century and the continuing relevance to art historians and conservators. L’étude technique de l’importante collection de peintures de Rembrandt conservées à la National Gallery a débuté dans les années 1940 avec les recherches scientifiques menées dans le cadre d’un important travail de restauration.Cet article aborde l’histoire des recherches techniques sur les peintures de Rembrandt conservées à Londres, ainsi que les origines d’une étude matérielle de grande envergure menée dans les années 1980 sur la collection et ayant conduit à la première exposition « Art in the Making ». Les études ayant prolongé ce travail sont également commentées. L’article évoque l'avenir des recherches techniques sur Rembrandt, leur dynamisme au xxie siècle, et leur pertinence pour les historiens de l’art et les conservateurs. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
Rembrandt National Gallery recherches techniques sur la peinture « Art in the Making » Rembrandt National Gallery technical research on paintings ‘Art in the Making’ |
| spellingShingle |
Rembrandt National Gallery recherches techniques sur la peinture « Art in the Making » Rembrandt National Gallery technical research on paintings ‘Art in the Making’ Roy, Ashok Studying Rembrandt’s Techniques at the National Gallery, London |
| description |
Technical study of the National Gallery’s important collection of paintings by Rembrandt goes back to the 1940s when serious conservation work began, aided by scientific investigation of the pictures. This article covers some of the history of technical examination of Rembrandt’s paintings in London and the origins of a wide-ranging material survey of the collection in the late 1980s that resulted in the first of the Gallery’s ‘Art in the Making’ exhibitions. Subsequent studies to extend this work are also described. The article looks forward to the future of Rembrandt technical research, its dynamic nature in the 21st century and the continuing relevance to art historians and conservators. |
| author |
Roy, Ashok |
| author_facet |
Roy, Ashok |
| author_sort |
Roy, Ashok |
| title |
Studying Rembrandt’s Techniques at the National Gallery, London |
| title_short |
Studying Rembrandt’s Techniques at the National Gallery, London |
| title_full |
Studying Rembrandt’s Techniques at the National Gallery, London |
| title_fullStr |
Studying Rembrandt’s Techniques at the National Gallery, London |
| title_full_unstemmed |
Studying Rembrandt’s Techniques at the National Gallery, London |
| title_sort |
studying rembrandt’s techniques at the national gallery, london |
| publisher |
Technè |
| publishDate |
2024 |
| container_title |
URI:https://journals.openedition.org/techne |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/127ma https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/18992 |
| _version_ |
1877292319431983104 |