The Name of the Artist, the Fame of the Bronze and the Bane of Multiples

The production of decorative bronzes in multiples was a long-standing tradition in the classical world, for small-scale works such as protomes for caldrons in the 7th century B.C., statuettes from the 6th century onwards, and fulcra for couches made in the Hellenistic and Roman periods. With the dis...

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Argitaratua izan da:URI:https://journals.openedition.org/techne,
Egile nagusia: Mattusch, Carol C.
Formatua: Article ou chapitre numérique
Hizkuntza:Anglais
Argitaratua: Technè 2019
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Sarrera elektronikoa:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling openedition-oai:revues.org:techne_1220 https://doi.org/10.4000/techne.1220 urn:doi:10.4000/techne.1220 en https://journals.openedition.org/techne/1220 2019-12-19T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/l8gu https://creativecommons.org/licenses/by-nc-nd/4.0/ The Name of the Artist, the Fame of the Bronze and the Bane of Multiples Technè C2RMF info:eu-repo/semantics/reference/issn/2750-6185 info:eu-repo/semantics/reference/issn/1254-7867 URI:https://journals.openedition.org/techne Mattusch, Carol C. Apoxyomène griffon hermès Lysippe copies Piombino Praxitèle Pseudo-Sénèque bronzes de Riace sauroctone Apoxyomenos griffin herm Lysippos multiples Piombino Praxiteles Pseudo-Seneca Riace Bronzes Sauroktonos The production of decorative bronzes in multiples was a long-standing tradition in the classical world, for small-scale works such as protomes for caldrons in the 7th century B.C., statuettes from the 6th century onwards, and fulcra for couches made in the Hellenistic and Roman periods. With the discovery of the Croatian Apoxyomenos, reproductive processes for large-scale statues can now be documented as well. La fabrication de bronzes décoratifs à plusieurs exemplaires était une tradition ancienne dans le monde antique, pour des œuvres de petit format comme les protomés de chaudrons au viie siècle avant J.-C., les statuettes à partir du vie siècle, et les appuis de banquettes aux époques hellénistique et romaine. La découverte de l’Apoxyomène de Croatie permet maintenant d’attester le recours à des procédés de reproduction pour des statues de grandes dimensions également.
collection OpenEdition Journal
language Anglais
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/OpenEdition Journals/
topic Apoxyomène
griffon
hermès
Lysippe
copies
Piombino
Praxitèle
Pseudo-Sénèque
bronzes de Riace
sauroctone
Apoxyomenos
griffin
herm
Lysippos
multiples
Piombino
Praxiteles
Pseudo-Seneca
Riace Bronzes
Sauroktonos
spellingShingle Apoxyomène
griffon
hermès
Lysippe
copies
Piombino
Praxitèle
Pseudo-Sénèque
bronzes de Riace
sauroctone
Apoxyomenos
griffin
herm
Lysippos
multiples
Piombino
Praxiteles
Pseudo-Seneca
Riace Bronzes
Sauroktonos
Mattusch, Carol C.
The Name of the Artist, the Fame of the Bronze and the Bane of Multiples
description The production of decorative bronzes in multiples was a long-standing tradition in the classical world, for small-scale works such as protomes for caldrons in the 7th century B.C., statuettes from the 6th century onwards, and fulcra for couches made in the Hellenistic and Roman periods. With the discovery of the Croatian Apoxyomenos, reproductive processes for large-scale statues can now be documented as well.
author Mattusch, Carol C.
author_facet Mattusch, Carol C.
author_sort Mattusch, Carol C.
title The Name of the Artist, the Fame of the Bronze and the Bane of Multiples
title_short The Name of the Artist, the Fame of the Bronze and the Bane of Multiples
title_full The Name of the Artist, the Fame of the Bronze and the Bane of Multiples
title_fullStr The Name of the Artist, the Fame of the Bronze and the Bane of Multiples
title_full_unstemmed The Name of the Artist, the Fame of the Bronze and the Bane of Multiples
title_sort name of the artist, the fame of the bronze and the bane of multiples
publisher Technè
publishDate 2019
container_title URI:https://journals.openedition.org/techne
url https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/techne.1220
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/techne/1220
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