The Name of the Artist, the Fame of the Bronze and the Bane of Multiples
The production of decorative bronzes in multiples was a long-standing tradition in the classical world, for small-scale works such as protomes for caldrons in the 7th century B.C., statuettes from the 6th century onwards, and fulcra for couches made in the Hellenistic and Roman periods. With the dis...
Αποθηκεύτηκε σε:
| Τόπος έκδοσης: | URI:https://journals.openedition.org/techne, |
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| Κύριος συγγραφέας: | |
| Μορφή: | Article ou chapitre numérique |
| Γλώσσα: | Anglais |
| Έκδοση: |
Technè
2019
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| Θέματα: | |
| Διαθέσιμο Online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Περίληψη: | The production of decorative bronzes in multiples was a long-standing tradition in the classical world, for small-scale works such as protomes for caldrons in the 7th century B.C., statuettes from the 6th century onwards, and fulcra for couches made in the Hellenistic and Roman periods. With the discovery of the Croatian Apoxyomenos, reproductive processes for large-scale statues can now be documented as well. |
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