Goya’s Portrait of Francisco de Saavedra: materials, techniques, conservation and context
This paper discusses the technical study and conservation treatment of The Courtauld Gallery’s Portrait of Francisco de Saavedra, painted in 1798 by Francisco de Goya, in relation to its possible pendant, the Portrait of Gaspar Melchor de Jovellanos, painted the same year and now at the Museo Nacion...
में बचाया:
| में प्रकाशित: | URI:https://journals.openedition.org/techne, |
|---|---|
| मुख्य लेखकों: | , , |
| स्वरूप: | Article ou chapitre numérique |
| भाषा: | Anglais |
| प्रकाशित: |
Technè
2022
|
| विषय: | |
| ऑनलाइन पहुंच: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| सारांश: | This paper discusses the technical study and conservation treatment of The Courtauld Gallery’s Portrait of Francisco de Saavedra, painted in 1798 by Francisco de Goya, in relation to its possible pendant, the Portrait of Gaspar Melchor de Jovellanos, painted the same year and now at the Museo Nacional del Prado, Madrid. Similarities in the materials and techniques used for the portraits and differences in their appearance due to material changes, as well as the condition of the paintings, are also considered. |
|---|