Niedoceniana ścieżka emancypacji: żenujący kobiecy performans
Waligóra defines the embarrassing female performance as an emancipatory gesture performed in the public sphere to disturb broadly accepted norms and conventions. This type of performance provokes consternation, aversion and aggression, but it can also be an effective tool to shift the discourse or g...
Guardado en:
| Publicado en: | URI:https://journals.openedition.org/td, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Polonais |
| Publicado: |
Teksty Drugie
2021
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| Materias: | |
| Acceso en línea: | Accès Université d'Orléans et IFPM |
| Sumario: | Waligóra defines the embarrassing female performance as an emancipatory gesture performed in the public sphere to disturb broadly accepted norms and conventions. This type of performance provokes consternation, aversion and aggression, but it can also be an effective tool to shift the discourse or general views on a given subject, and it can even lead to a change in legislation. Drawing on feminist theory (e.g. Sara Ahmed, Elaine Showalter, Marta Caminero-Santangelo), the theory of affect (Martha Nussbaum) and sociology (Erving Goffman, Nancy Fraser) Waligóra presents five basic traits of this type of performance. |
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