Grottger and His Shadow
Artur Grottger’s famous series of paintings are a canon unto themselves, an ideal subject of research, fixed in place by an interpretative framework (i.e. the structure of the series, its sequence, elements appropriated from iconography, intentions of the artist, position of the audience) establish...
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| Pubblicato in: | URI:https://journals.openedition.org/td, |
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| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
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Teksty Drugie
2024
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| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM |
| Riassunto: | Artur Grottger’s famous series of paintings are a canon unto themselves, an ideal subject of research, fixed in place by an interpretative framework (i.e. the structure of the series, its sequence, elements appropriated from iconography, intentions of the artist, position of the audience) established already in the 19th century; but they are not defenseless and resist claims of “theoretical protectionism” on account of their fragmentary nature, the looseness of the structure, and the techniq... |
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