The Art of the Document: Photography and Trauma
If we look at artistic representations on the subject of the Holocaust, we will see that contemporary artists, the generation born after the Shoah, are focused on discovering their own path to its remembrance. It also becomes clear that realizations are frequently based on memory as a source of ima...
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| Veröffentlicht in: | URI:https://journals.openedition.org/td, |
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| Format: | Article ou chapitre numérique |
| Sprache: | Anglais |
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Teksty Drugie
2024
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| Online Zugang: | Accès Université d'Orléans et IFPM |
| Zusammenfassung: | If we look at artistic representations on the subject of the Holocaust, we will see that contemporary artists, the generation born after the Shoah, are focused on discovering their own path to its remembrance. It also becomes clear that realizations are frequently based on memory as a source of images of a past which the artist has no direct experience of. Thus, the task of representing the Holocaust requires above all a definition of one’s attitude to documents of the past. These are, on th... |
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