Who Needs the Book? Copyright in the Late Print Epoch
Arguments presented by supporters of strengthening and expanding copyright protection are usually based on the assumption that it would serve the interests of the artists, allowing them to draw more profit from their work. This is the position taken, for instance, by ZAIKS (the Polish Association o...
Enregistré dans:
| Udgivet i: | URI:https://journals.openedition.org/td, |
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| Auteurs principaux: | , |
| Format: | Article ou chapitre numérique |
| Sprog: | Anglais |
| Udgivet: |
Teksty Drugie
2024
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| Online adgang: | Accès Université d'Orléans et IFPM |
| Summary: | Arguments presented by supporters of strengthening and expanding copyright protection are usually based on the assumption that it would serve the interests of the artists, allowing them to draw more profit from their work. This is the position taken, for instance, by ZAIKS (the Polish Association of Authors and Composers), one of the oldest and most active organizations of collective copyright management: “ZAIKS strives to protect the rights of Polish artists as true creators of Polish cultu... |
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