Le Moyen Âge français dans les “Petits traités”
The reflection on Medieval language and literature is the source of recurrent remarks in many works by Pascal Quignard, and particularly in his Petits traités. The author’s perspective on the Middle Ages takes different forms and his attention often focuses on the crucial moments of transition from...
保存先:
| 出版年: | URI:https://journals.openedition.org/studifrancesi, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
Studi Francesi
2017
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | The reflection on Medieval language and literature is the source of recurrent remarks in many works by Pascal Quignard, and particularly in his Petits traités. The author’s perspective on the Middle Ages takes different forms and his attention often focuses on the crucial moments of transition from Latin to French and, later, from verse to prose, as well as from the manuscript to the printed book. Several topics are frequently mentioned, such as one of the most famous passages from Chrétien de Troyes’ Conte du Graal: the image of the three drops of blood within the trace left by a goose that has flown away on the ground covered in snow becomes an emblem of the songearts villants’ complete absence from the outside world. This form of absorption leads to a comparison with Proust’s Recherche, a comparison this paper further develops through references to Jean Renart’s Guillaume de Dole. |
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