Une poétique de la «folle fantaisie». L’ode XXXVII du “Printemps” au miroir des “Hymnes des saisons” de Ronsard
This article examines the ode XXXVII of the Printemps, showing that it reflects a close reading of Ronsard’s Saisons, as well as a desire to distinguish himself from Ronsard’s poetic choices. After highlighting the narrative similarities between the ode and Ronsard’s cycle, Alice Vintenon points out...
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| 发表在: | URI:https://journals.openedition.org/studifrancesi, |
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| 格式: | Article ou chapitre numérique |
| 语言: | Français |
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Studi Francesi
2025
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| 在线阅读: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 总结: | This article examines the ode XXXVII of the Printemps, showing that it reflects a close reading of Ronsard’s Saisons, as well as a desire to distinguish himself from Ronsard’s poetic choices. After highlighting the narrative similarities between the ode and Ronsard’s cycle, Alice Vintenon points out that, as in the ode XIV, d’Aubigné does not adopt the reference to inspired, learned poetry asserted in the prologues of the Saisons, but instead, discreetly paraphrasing Horace, claims total freedom for poetic fantasy. In so doing, he sets himself apart from the spirit of seriousness that characterized the philosophical poetry of his time (like Du Bartas’ Sepmaine). |
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