“L’impromptu” di Ionesco
The paper analyses the relationship established by Eugène Ionesco, one of the foremost figures of twentieth-century theatrical neo-avant-garde, with Molière, through the act of remaking his Impromptu de Versailles into Impromptu de l’Alma. A remake that was not meant as a rewriting but as a way to f...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/studifrancesi, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Italien |
| Publié: |
Studi Francesi
2023
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |