“L’impromptu” di Ionesco

The paper analyses the relationship established by Eugène Ionesco, one of the foremost figures of twentieth-century theatrical neo-avant-garde, with Molière, through the act of remaking his Impromptu de Versailles into Impromptu de l’Alma. A remake that was not meant as a rewriting but as a way to f...

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Detalhes bibliográficos
Publicado no:URI:https://journals.openedition.org/studifrancesi,
Autor principal: Bosco, Gabriella
Formato: Article ou chapitre numérique
Idioma:Italien
Publicado em: Studi Francesi 2023
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

Internet

https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/studifrancesi.53590
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/studifrancesi/53590