Étude du manuscrit français 862 de la BnF (complément d’enquête sur Amadis Jamyn, Jean de Cholières et Catherine de Retz)
xvith century poetic albums are the evidence of the female contribution to the cultural activities related to the «salons», coteries and aristocratic gatherings. In the perspective of literary studies that have been conducted for the past century, this article studies the circle of Catherine de Retz...
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| Veröffentlicht in: | URI:https://journals.openedition.org/studifrancesi, |
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| 1. Verfasser: | |
| Format: | Article ou chapitre numérique |
| Sprache: | Français |
| Veröffentlicht: |
Studi Francesi
2022
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Zusammenfassung: | xvith century poetic albums are the evidence of the female contribution to the cultural activities related to the «salons», coteries and aristocratic gatherings. In the perspective of literary studies that have been conducted for the past century, this article studies the circle of Catherine de Retz with the analysis of the manuscript Français 862 at the National Library of France. In this volume, many poems by Jean Passerat, Mellin de Saint-Gelais, Philippe Desportes, the Dames Des Roches, the cardinal Du Perron, without counting Amadis Jamyn whose sonnets deal with several muses, have been copied. In this article, love poetry by Jamyn and Jean de Cholières is analysed in relation to the Court (i.e. the secret love affair between king Charles IX and Anne d’Atri d’Aquaviva, also celebrated by Ronsard) and to the Retz «salon». By the close reading of some poems by Jamyn, transcribed in the manuscript Français 862, and other poems (identified or anonymous) that are published in La Guerre des masles contre les femelles (1588) by Cholières, this article suggests new attributions to Jamyn’s poetic production. It also attempts to link the name of the muse Aris, celebrated by Cholières and others, to the Maréchale de Retz. |
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