Chennevières en discontinu
On November 4, 1845, a review appears in “Le Corsaire-Satan” about Philippe de Chennevières (Jean de Falaise) concerning two volumes: Les Contes normands, par Jean de Falaise, traduits librement par l’ami Job and les Historiettes baguenaudières par un Normand, published in Caen in 1842 and 1845 resp...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/studifrancesi, |
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| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Français |
| Julkaistu: |
Studi Francesi
2021
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| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Yhteenveto: | On November 4, 1845, a review appears in “Le Corsaire-Satan” about Philippe de Chennevières (Jean de Falaise) concerning two volumes: Les Contes normands, par Jean de Falaise, traduits librement par l’ami Job and les Historiettes baguenaudières par un Normand, published in Caen in 1842 and 1845 respectively. Although anonymous, the review is undoubtedly due to the pen of Baudelaire, who met the author during his stay in Paris. In 1848 Baudelaire signed a positive review, and in L’Essence du rire he borrowed from the Norman Tales a passage as tribute to their author. The friendship continues, although their correspondence shows discontinuous relationships. In Baudelaire’s short life, Chennevières was not a simple passer-by. As it can be seen in the friendship of youth, there was a strong imprint of the early days on both. Recomposing the moments when they knew each other, those, more dispersed, when they saw each other again, allows us to cast a certain glance on Baudelaire, in particular on Baudelaire who wondered about prose. |
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