«En mille endroits charmants». L’incontro tra d’Annunzio e Debussy
From 1910 to 1915 Gabriele d’Annunzio lives between Paris and a quiet cottage at Arcachon, «sul dosso pinoso di una duna oceanica». For the most renowned Italian poet of the time, self-exiled in the doux pays, it is the beginning of a period rich in new artistic experiences, among which an exception...
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| In: | URI:https://journals.openedition.org/studifrancesi, |
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| Main Author: | |
| Format: | Article ou chapitre numérique |
| Language: | Italien |
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Studi Francesi
2016
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | From 1910 to 1915 Gabriele d’Annunzio lives between Paris and a quiet cottage at Arcachon, «sul dosso pinoso di una duna oceanica». For the most renowned Italian poet of the time, self-exiled in the doux pays, it is the beginning of a period rich in new artistic experiences, among which an exceptional collaboration with the musician Claude Debussy, whose innovative genius makes him one of the most remarkable personalities in the cultural life of the Ville Lumière.The Poet and the Musician will be united not only by their common writing of Martyre de Saint Sébastien, but also by their fruitful itinerary of meditation and research mirrored in their works originated in those mille endroits charmants. In these charming places flow the last years of the «vita leggera» heading towards the catastrophe of the First World War. |
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