Photography, a Sensitive (Re)Source for Social Sciences
IntroductionWhat of the Africas do photographers and their images invite us to see? This issue’s point of departure is a set of encounters and a common ambition: to analyze different visual representations of the social world that image producers—researchers or photographers, African or otherwise,...
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| Pubblicato in: | URI:https://journals.openedition.org/sources, |
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| Autori principali: | , |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Sources
2024
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Riassunto: | IntroductionWhat of the Africas do photographers and their images invite us to see? This issue’s point of departure is a set of encounters and a common ambition: to analyze different visual representations of the social world that image producers—researchers or photographers, African or otherwise, working together or independently—generate and disseminate through the social practice of photography in Africa. At its point of arrival, emphasis is placed on analyzing the photographic process as... |
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