“The power of such vast imaginings”: Actors, Spectators and Their Acting Copies in 19th century Shakespearean reception
It appears to be quite evident, as Richard Schoch somewhat apprehensively pointed out, that academics tend to treat nineteenth-century English stage history in terms of consecutive star actors and their eras of theatre management. But what exactly has made and still makes it convenient for scholars...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/shakespeare, |
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| Format: | Article ou chapitre numérique |
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Actes des congrès de la Société française Shakespeare
2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |